Thursday, June 14, 2007

Literary Ladies

Last night I was being all cultural again, I went to a reading by three women writers, Edna O'Brien, Esther Freud and Rachel Cusk. Chair for the evening was the Belgian Kristien Hemmerechts. She was the reason I went to this evening, really. I've read almost all her books, and find her writing extremely moving, exciting and challenging. She makes me think. She also demands a lot from her readers, and when I've read one of her books I need to read some other things before I can go on to the next one. She signed one of my books last night, and I am very pleased about that. The reason why she was chair for the evening is that she is a lecturer in English Literature at Brussels University. She created a pretty good and lively debate.

I've read a few books by Edna O'Brien and like her writing, but I didn't really know the two other women. I liked Esther Freud though, her clear thinking and outspoken ideas, close to home for me. Rachel Cusk seemed a little more chaotic and less in control, but she admitted that that was much the point of her writing. Life seems to happen to her much of the time, and in her novels she is in control. I did like that idea very much, it's one way of trying to make sense of what is happening in and around you.

The debate was about feminism, female writers, about illness and death, about political writing, and the themes seemed to come back all evening and be closely related. One of the issues was the use of autobiographical material in novels and that sparked a heated debate. Would a question about this be asked of a male writer? Is there a difference in this respect between men and women? Rachel Cusk got very fired up about this. And aren't all good books political without dealing with overtly political issues? I cannot imagine a good and worthwhile book that isn't in some way political. I guess it all depends on how you define the word political though. It was an interesting debate.

Edna O'Brien was very clear about most of the issues. She held that you do write from within yourself, from your own experience. That is what you start out with, and then you discard all the things you don't need. It's the discarding that fascinates me.

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